Copyright

I think this is a great article on copyright in regard to using public images

Leanne Cole PHOTOGRAPHY

While I was photographing the cycling for the Bay Crits, I received a question, Brad said “I’d like to see your thoughts about the ‘ethics’ of publishing photos that identify individuals”, and then Heather said that she also wanted to know and asked if I could do a post on it.  So for those of you are interested, I thought I would do a post on Copyright and taking photos in public.

More CorneringThis is one of the photos that came into question.  The riders can clearly be identified, so can I publish them without their permission.  The answer to that question is yes.  The race takes place on a public road, and, according to our copyright laws (Australian) “A personʼs likeness is not protected by copyright.”  It is generally considered fine to take photos of people when they are in public.

The only time this becomes as issue is if…

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Shades of blue

I love colour saturated images. The beauty of any colour is enhanced through a subtle combination of its various hues. Here’s a range of cool blues that anyone would find hard to resist. I find colour and images like these inspirational.

artpropelled.tumblr.com

artpropelled.tumblr.com

loveliegreenie.tumblr.com

loveliegreenie.tumblr.com

Gur Emir Mausoleum, Samarkandzarzor.tumblr.com

Gur Emir Mausoleum, Samarkand
zarzor.tumblr.com

huamao.tumblr.com

huamao.tumblr.com

mixedplateblog.com

mixedplateblog.com

intense blue

Antonio Basso, Ibizaflickr.com

Antonio Basso, Ibiza
flickr.com

wishflowers.tumblr.com

wishflowers.tumblr.com

Blue, Matilda Bay, Australiabesttravelphotos.wordpress.com

Blue, Matilda Bay, Australia
besttravelphotos.wordpress.com

28.media.tumblr.com

28.media.tumblr.com

blue ceramic pattern

by laura.bellflickr.com

by laura.bell
flickr.com

baenk.com

baenk.com

Blue Footed Booby ~ Galapagos Islandsgoogle.com

Blue Footed Booby ~ Galapagos Islands
google.com

All above images via

Artists use colour to express emotions and moods. Here’s Head of Woman from Pablo Picasso’s Blue Period (1901–1904).

In the Metropolitan Museum of Art, New York

In the Metropolitan Museum of Art, New York

What’s in a brief?

I’ve just been reading a blog by Krishna http://nairkrishna.wordpress.com and am impressed with this statement that appears on it:

“We see what we expect to see. What we know, or think we know, influences us so strongly that we
 are often blind to change, to new 
views and new opportunities. This 
is true in all aspects of life.

The challenge is to see and learn
 everything around us with fresh eyes.”

I love it!

I’ve been thinking about the way I interact with clients who find it hard to articulate what they want when it comes to a visual design brief. Don’t get me wrong, I think it’s great that they don’t have a literal concept in mind – no designer wants to be ‘the pencil’ for someone else’s visual concept, but I do need a brief to help me meet their expectations. However, I also want enough latitude so I can provide concepts that allow the client to “see and learn with fresh eyes”.

I have a wonderful client who willingly embraces the opportunity to see and learn with fresh eyes and who trusts me with total creative freedom. Her briefs are usually something like this:

Client: “I want some images to work as inspiration for some yet to be developed courses that will be aimed at people of different ages, experience and background”

What a wonderfully ‘open’ brief, but I need to get a narrower perspective. I don’t want to set any pre-conceived notions so I try to get more information by asking the client to describe her big-picture thoughts through abstract terms such as emotions, colours, style, relationships and metaphors; eg “if this project could be described as an animal what sort would it be?” “what colours do you spontaneously think of when you think about this project”,  “give me 10 key words that immediately come to mind when you think about this project”, “what’s the main effect and outcome you want”, “what don’t you want” (usually clients are quite clear about this one).

My client really appreciates this approach and from it has evolved a really good working relationship.

Here are some images that I created for such a project. These images were used to inspire creative course titles and content in the early development stages of a learning program, and were then used in a successful marketing campaign for that program.

Revealing the inner self

Revealing the inner self © Bev Puckridge

Fisher in the ocean of opportunity

Fisher in the ocean of opportunity © Bev Puckridge

The voyage of dreams © Bev Puckridge

The voyage of dreams © Bev Puckridge

Flightpath  © Bev Puckridge

Flightpath © Bev Puckridge